Socialist doctrines had an important influence on Korean writers and intellectuals of the early twentieth century. From the 1910s through the 1940s, a veritable wave of anarchist, Marxist, nationalist, and feminist leftist groups swept the cultural scene with differing agendas as well as shared demands for equality and social justice. In The Proletarian Wave, Sunyoung Park reco...(展开全部)

During Japan's colonial rule over Korea from 1910 until the end of World War II, Japan adopted assimilation as its administrative policy but was unable to integrate the Korean people as Japanese. In "Japanese Assimilation Policies in Colonial Korea, 1910-1945", Mark Caprio traces the history of this policy to determine why Japan failed to attain its stated goals. In his search ...(展开全部)

Colonial and Postcolonial Literature is the leading critical overview of and historical introduction to colonial and postcolonial literary studies. Highly praised from the time of its first publication for its lucidity, breadth, and insight, the book has itself played a crucial part in founding and shaping this rapidly expanding field. The author, an internationally renowned p...(展开全部)

Focusing on previously neglected cultural expressions of colonial-period Korean socialism such as Marxist philosophy, Marxist historiography, and travelogues by socialist writers, The Red Decades reveals Marxian socialism as a cultural phenomenon of colonial-age Korea. Providing an account of the social composition of the Communist milieu in 1920s and 1930s Korea and outlining ...(展开全部)

作者:(美)康达维 译者:苏瑞隆 美国人文与科学院院士，西雅图华盛顿大学教授，被海内外赋学界誉为“当代西方汉学之巨擎，辞赋研究之宗师”。他积三十余年的不懈努力，在中国古代辞赋的译介、研究以及学术交流和传播方面，都取得了突出的成绩。

"Yellow Music" is the first history of the emergence of Chinese popular music and the larger urban media culture with which it was closely associated in early twentieth-century China. Centring his study around an account of the affinities between the genre derisively referred to by critics of the time as 'yellow' or 'pornographic' music - a 'decadent' fusion of American jazz, H...(展开全部)

Fables of Modernity expands the territory for cultural and literary criticism by introducing the concept of the cultural fable. Laura Brown shows how cultural fables arise from material practices in eighteenth-century England. These fables, the author says, reveal the eighteenth-century origins of modernity and its connection with two related paradigms of difference—the woman a...(展开全部)

What forces were behind Japan's emergence as the first non-Western colonial power at the turn of the twentieth century? Peter Duus brings a new perspective to Meiji expansionism in this pathbreaking study of Japan's acquisition of Korea, the largest of its colonial possessions. He shows how Japan's drive for empire was part of a larger goal to become the economic, diplomatic, a...(展开全部)

Our relationship with things abounds with paradoxes. People assign value to objects in ways that are often deeply personal or idiosyncratic yet at the same time rooted in specific cultural and historical contexts. How do things become meaningful? How do our connections with the world of things define us? In Ming and Qing China, inquiry into things and their contradictions flour...(展开全部)

Our relationship with things abounds with paradoxes. People assign value to objects in ways that are often deeply personal or idiosyncratic yet at the same time rooted in specific cultural and historical contexts. How do things become meaningful? How do our connections with the world of things define us? In Ming and Qing China, inquiry into things and their contradictions flour...(展开全部)